"Eliot's Waste Land"

Thomas Sterns Eliot, better known as T. S. Eliot, is considered to be unrivalled of the closely materialistic American poets of this time. However, his life was not as triumphal as the rest of the country during this time. The pressures of uncongenial work, the mannikin of his central office life and the need to hide his unhappiness brought on a nervous breakdown. In 1922, while regain in a Swiss spa, Eliot began to write one of his eternal and most locomote poems, The Waste Land. The Waste Land comes in five parts, scratch with The Burial of the Dead, a urinate interpreted from the Anglican funeral ceremony. The resourcefulness of part one evokes a person, a civilization, numbed, distressed. Coherence and pith have gone out of the world, as a portentous voice with an Old Testament levelheaded announces: Son of man . . .you know only / a spate of broken images, where the fair weather beats, / and the dead tree gives no shelter (l. 20-23). To convey a vague menac e, and recreate the rage for spiritualism, Eliot introduces Madame Sosostris, famous clairvoyante, with her wicked aim of Tarot cards (l. 43-46). Eliot calls ingredient Two A gritty of Chess, a metaphor for knowledgeable maneuvering. Eliot gives us a pampered womanhood, immersed in anything that could arouse the senses.

This passage shifts unawares into Eliots forte, a dramatic parley giving us the real measure of the jaded woman: My nerves are regretful to-night. Yes, bad. Stay with me. Speak to me. Why do you never chatter? Speak. What are you thinking of? What thinking? What? I never know what you are thinking. Think. (Eliot l. 111-114) This pa! inful vision of humanity move up in lust continues in Part Three, The awaken Sermon, which takes its name from the preachment of... If you want to get a wide-eyed essay, decree it on our website: OrderCustomPaper.com

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